MIN-t, the creative alter ego of Martyna Kubicz, is a singer, songwriter, composer, producer and mix engineer whose genreless fusion of electronic music, pop and R’nB has captivated audiences worldwide. A Berklee College of Music graduate who was the first Polish woman mentored by revered sound engineer Susan Rogers (known for her work with Prince), MIN t co-produced her 2021 album Shot To Pieces with acclaimed producer Leo Abrahams and has supported globally-recognised artists such as HVOB, Angel Haze, Jess Glynne and Vitalic. Having performed over 300 live shows at prominent festivals including Reeperbahn Festival, Off Festival, Orange Warsaw Festival, Open’er Festival and Y Not Festival, and recently embarking on a European tour with Saya Noé and OIEE, the Berlin-based artist now presents her bold new self-released single ‘Hope’, the debut track from her forthcoming album Before The After slated for 8 May 2026. Additionally, the awe-inspiring music video for ‘Hope’ premiered on acclaimed tastemaker METAL Magazine.
In this interview, MIN t shares insights into her creative journey, the inspiration behind ‘Hope’, and her artistic vision moving forward.
Stream ‘Hope’ while reading the interview below:
When you were seven and learning classical piano in Wrocław, what first got you interested in music? How did those early experiences influence what came next for you?
For sure, I am able to recognise the complexity of music and see the beauty in every form. In my songs, I sometimes use harmonies from classical pieces and transform them into my own. I really enjoy playing with the concept of blending electronic and classical music.
You spent time in children’s musical theatre and ballet, and later discovered jazz, electronic, pop, and soul as a teenager. How did those experiences lead you to start writing songs at sixteen and eventually teach yourself Ableton production?
Apparently, I was always drawn to art, but most of the time the art I was making involved re-playing what somebody else had already done. I think I was always more of a creator than an executor. That’s why, as soon as I finished classical music school, I wanted to create something on my own. At first, I learned Logic to show demos to my band—but I liked it so much that I eventually left the band and started producing on my own.
Moving from Poland to Berlin in 2015 was a big change. What surprised you most about how living in Berlin affected your music and career?
I think it was being open to so many influences—both musically and culturally. When I came to Berlin, I loved techno and similar genres, but actually living here opened me up to other styles like pop, breakbeat, and experimental production.
You were the first Polish woman mentored by Susan Rogers at Berklee College of Music. What is one lesson from her that still sticks with you in the studio today?
I think it’s the way she talked about how people perceive music. Susan Rogers is also a neuroscientist, and her approach in the studio was more holistic and scientific, rather than purely technical.
You describe your music as genreless, blending electronic, pop, and R’nB, and drawing inspiration from artists like Aphex Twin, Charli xcx, and FKA twigs. How do you keep your sound feeling fresh and personal?
I mean, I compare myself to those artists, but honestly, my music is completely different. I don’t really know which artist I can compare myself to—these are just artists I take inspiration from. My music is unique in its own way.
I think it was quite straightforward. First of all, this song wasn’t meant for me, but for another artist. She was late to the session, so I just made this beat in a few hours—it was a complete stream of consciousness. There was no real challenge; the song just flowed out of me.
Your new single ‘Hope’ launches the album Before The After on 8 May. What inspired you to write such an honest anthem about hope as something that comes from loss, failure, and anger, instead of just a feel-good message?
I think it’s my personality—I’m not really a feel-good person. I tend to see the world in darker colours, so writing this anthem reminds me to have hope. It also pushes me forward not to stay ignorant, even though the volume of news and everything happening can sometimes make you want to retreat into your own bubble.
Watch the music video below:
On ‘Hope’ you produced and mixed everything yourself, adding breakbeats, glitchy synths, a strong bassline, and your own vocals. How did you find the process, and what was the most challenging part about putting the song together?
I think it was quite straightforward. First of all, this song wasn’t meant for me, but for another artist. She was late to the session, so I just made this beat in a few hours—it was a complete stream of consciousness. There was no real challenge; the song just flowed out of me.
Your sister Patrycja Kubicz is credited as a co-writer on ‘Hope’. How does working with family add more emotional depth to this track and the rest of Before The After?
Yes, my sister can express things very beautifully in words. At first, I wanted to write something more about coming out of depression and having hope for a better tomorrow, but she transformed it into a broader concept.
You co-produced Shot To Pieces with Leo Abrahams, supported big acts like HVOB and Jess Glynne, and played over 300 shows at festivals like Reeperbahn and Open’er. What feels most different or important about starting this new self-released chapter?
This time, I am doing everything completely independently—me as a producer, my own manager, booker, and everything else. It is quite challenging, but I’ve realised this is the only way for now. If I manage it, I will gain so many skills that no one can take away from me.
I also want to show people my new music fully—produced by me. I do have a very good friend, Arina Korenyu, as a co-producer on this album—but overall, it’s completely me, with no compromises.
What’s one unexpected thing outside the studio that’s sparking joy or fresh ideas for you right now?
Just life 🙂
Follow MIN-t:
Website– Instagram– Facebook– Soundcloud– TikTok– Youtube– Spotify
